photocurator.me

  • Work
  • Blog
  • Produce
  • Contact
  • Cart
  1. Home
  2. After Raskolnikov: Russian Photography Today
Boris Smelov, A man with a hatchet (after Roskolnikov), 1975
Art Journal, Summer, 1994, Vol. 53, No. 2, Contemporary Russian Art Photography

After Raskolnikov: Russian Photography Today

Neumaier, Diane, ed, Art Journal, Vol. 53, No. 2, Contemporary Russian Art Photography (Summer, 1994), pp. 22-27, College Art Association

Open/Download After Roskolnikov PDF

 

SKU: caa-01 Categories: Essays, USSR Tags: Alexander Slyusarev, Alexey Shulgin, Andrei Aksyonov, Boris Michailov, Boris Smelov, Collective Action Group, December Group, Igor Makarevich, Igor Moukhin, Ilya Piganov, Immediate Photography, Margarita Tupitsyn, Medical Hermeneutics, Sergei Leontiev, Viktor Misiano, Vladislav Efimov, Yuri Babitch, Yuri Leidermann


Additional Info

Diane Neumaier, photographer and faculty member at Rutgers University, first encountered Russian conceptual photography, including the work of Ukrainian Boris Michailov, in John P. Jacob’s exhibition The Missing Picture: Alternative Contemporary Photography from the Soviet Union (List Visual Arts Center at MIT, 1990). Neumaier traveled to Russia for the first time in 1991, and was later a Fulbright Fellow (1993-1994) in Moscow, hosted by the Russian Union of Art Photographers. Building on the long-term collecting interest in Soviet non-conformist art at Rutgers and the Zimmerli Art Museum, she organized Beyond memory: Soviet Non-conformist Photography for the Zimmerli in 1994, with an accompanying symposium and published anthology. Jacob was a panelist and moderator at the symposium, and the anthology credited his projects as foundational to the work of later historians such as herself. Neumaier also guest-edited a special issue of the College Art Association’s Art Journal on Contemporary Russian Art Photography, for which Jacob’s After Roskolnikov was the lead article.

Contributors

Neumaier, Diane

Status

Done

Date

1994

You might also like

Quick-View

Thomas Florscheutz

Quick-View

Out of Eastern Europe: Private Photography

Hidden Story: Samizdat from Hungary and Elsewhere, 1990
Quick-View

Hidden Story: Samizdat from Hungary and Elsewhere

Quick-View

Tibor Hajas: Nightmare Works

2nd Portfolio (ed Budapest)
Quick-View

2nd International Portfolio of Artists Photography (Budapest version)

Quick-View

The Metamorphic Medium: New Photography from Hungary

The Missing Picture: Alternative Contemporary Photography in the Soviet Union: Boris Michailov
Quick-View

The Missing Picture: Alternative Contemporary Photography in the Soviet Union

Unsolicited Hype, 1985
Quick-View

Unsolicited Hype

Cavellini in NYC, Accordion Edition, 1982
Quick-View

Cavellini in NYC (accordion version)

GA Cavellini in NYC, Roll 1
Quick-View

Cavellini in NYC (photos version)

Carlo Pittore Performs La Buffooneria, 1983
Quick-View

Carlo Pittore Performs La Buffooneria (photos version)

We Arrive in Paumonock, 1985
We Arrive in Paumonock, 1985

Photocurator (*.org) originated in Y2K as a network for photography curators. It was an online portal for communication and produced an annual printed index listing member’s exhibitions and cross-referencing their fields of research. It was terminated in 2006. This iteration (*.me) was launched in 2022. It is a reckoning of its author with his career as a maker and wrangler of images.

© 2025 photocurator.me. All rights reserved

Privacy Preference Center

Privacy Preferences